Westward Bound interview with our artist Patrick Singh

The West Harlem Art Fund is so pleased to be working with Patrick Singh again. This Skyped interview was done while the artist was in the South of France with his gallerist. His bio is below in English and French.

Born to an Indian father and a French mother, Patrick was predestined to multicultural encounters. He spent his childhood traveling between the South of France and London, England. He is a holder of a State Diploma in Managing Leisure and Cultural Activities – French “Diplome d’Etat Relatif aux Fonctions d’Animation”.

Since 1997, Singh’s career has been punctuated by international exhibitions – collective and individual – along with artistic residencies throughout Europe, South America and Asia. Singh’s work is exhibited in multiple collections, including the Anne Cros Gallery located in the South of France. His visions come to life under his brush without his using models.

Né à un père indien et à une mère française, Patrick a été prédestiné aux rencontres multiculturelles. Il a passé son enfance voyageant entre le Sud de la France et Londres, Angleterre. Il est un détenteur d’un Diplôme d’État dans le Loisir se Débrouillant et les Activités Culturelles – le français “Diplome d’Etat Relatif aux Fonctions d’Animation”.

Depuis 1997, la carrière de Singh a été ponctuée par les expositions internationales – collectif et individuel – avec les résidences artistiques partout dans l’Europe, l’Amérique du Sud et l’Asie. Le travail de Singh est exposé dans les collections multiples, en incluant la Galerie d’Anne Cros trouvée au Sud de la France. Ses visions reprennent conscience sous sa brosse avec de ses modèles d’utilisation.

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Gumboot Juba


Dianne Smith, one of the commentators for Westward Bound is an accomplished artist and teacher herself. In collaboration with the West Harlem Art Fund and Armory Week 2011, the window installation Gumboot Juba was presented. Juba, Pattin’ Juba or Guiba is the name of the dance (of West African influence) the slaves did on southern plantations, in the Caribbean and Dutch Guiana. The sounds and movement took the place of the drums.

Please view the images of this stunning installation that was seen at the Mink Building in West Harlem.

gumboot-jubawindowinstall

Video interviews by Columbia University

Mapping the African American Past is the product of a grant from the JPMorgan Chase Foundation. The site was produced by the Columbia Center for New Media Teaching and Learning (CCNMTL) in partnership with Columbia University’s Teachers College and Creative Curriculum Initiatives (CCI).

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